NEW ADDITION TO THE FAMILY
We now have a DJI Inspire 2 with the X5S camera mount in the stable. A very capable little machine in the hands of an experienced pilot and crew. We have the full line of Olympus lenses to go with it.
UAV (Drone) Specs
Camera Mount Specs
Cameras
HeliCam Aerial Media Service's primary camera these days when we are not shooting with the Alexa Mini, Red Epics, Dragons, Canon's C500, C300 Mark ii or C100 is Panasonic's GH5. As many of you know this is a very capable camera that shoots 4K footage and provides a wide variety of formats and frame rates up to 180 frames per second in variable frame rate mode for slow motion in 1080 mode. We have several different prime lenses for this camera with some having on board iris and focus control via the camera mount operators remote control. This in flight adjustability allows us to do really creative things and makes us more efficient therefore providing you with more quality footage for a given shoot day.
We recently got to fly the Black Magic Ursa Mini on a Music Video shoot. Love the Global Shutter, the huge body, not so much. It is a pain to deal with on a Movi.
Now we are adding the new Nokia Ozo VR camera to our list of cameras that we can fly.
HeliCam has also acquired all of the necessary support gear to support flying the new Arri Alexa Mini.
Downlink System
For downlink systems HeliCam has one of the Amimon Connex HD units for our Aerial Movi Gimbal. We are currently providing a 19" HD monitor for our Clients so they can monitor everything live as it is being filmed.
HeliCam's Van and Lipo Battery Charging Station
Our 15 passenger Ford E350 van has a unique charging station on the front of the van coupled to a Honda EU3000IS inverter that allows us to keep our Lipo batteries charging at high charge rates even when we are traveling from location to location on a tight shoot schedule, ensuring that we never run out of charged batteries during a shoot day.
- Our custom built Octocopters have a 5.5' diameter.
- Flying weight can be anywhere from 20 to 43 pounds depending on camera mount and camera used.
- Max operating altitude is 400' AGL (Above Ground Level) per the FAA.
- All of our equipment is electric powered via Lipo batteries.
- All of our machines have been approved for commercial use by the FAA.
Camera Mount Specs
- We own several gimbals that we use for various appliciations.
- Our primary UAV gimbal is a Freefly Systems Movi.
- We also own a DJI Ronin that we use for handheld stuff.
Cameras
HeliCam Aerial Media Service's primary camera these days when we are not shooting with the Alexa Mini, Red Epics, Dragons, Canon's C500, C300 Mark ii or C100 is Panasonic's GH5. As many of you know this is a very capable camera that shoots 4K footage and provides a wide variety of formats and frame rates up to 180 frames per second in variable frame rate mode for slow motion in 1080 mode. We have several different prime lenses for this camera with some having on board iris and focus control via the camera mount operators remote control. This in flight adjustability allows us to do really creative things and makes us more efficient therefore providing you with more quality footage for a given shoot day.
We recently got to fly the Black Magic Ursa Mini on a Music Video shoot. Love the Global Shutter, the huge body, not so much. It is a pain to deal with on a Movi.
Now we are adding the new Nokia Ozo VR camera to our list of cameras that we can fly.
HeliCam has also acquired all of the necessary support gear to support flying the new Arri Alexa Mini.
Downlink System
For downlink systems HeliCam has one of the Amimon Connex HD units for our Aerial Movi Gimbal. We are currently providing a 19" HD monitor for our Clients so they can monitor everything live as it is being filmed.
HeliCam's Van and Lipo Battery Charging Station
Our 15 passenger Ford E350 van has a unique charging station on the front of the van coupled to a Honda EU3000IS inverter that allows us to keep our Lipo batteries charging at high charge rates even when we are traveling from location to location on a tight shoot schedule, ensuring that we never run out of charged batteries during a shoot day.
